NFTY Field Trip - Eric Clapton Live in Jerusalem - 13 July 1989

Our National Federation of Temple Youth (NFTY) group was exhausted.  Well into our trip, we were offered a night out in Jerusalem to see Eric Clapton.  If I remember correctly, it was about 30NIS for the ticket.  Our entire group signed up...we loaded up the bus and headed over to Sultan's Pool - a large grass-covered area in the heart of Jerusalem.

Sultan's Pool

I think every Anglo in the country converged on Sultan's Pool that night!  We hit the porta-johns first, with their lack of toilet seats (aim for the hole!) and then the t-shirt stand.  My mom still wears the t-shirt I purchased.  

The stage was large.  Before the concert began, James Brown was playing out of the speakers and our group spontaneously started that late-80s chant, "Free James Brown!  Free James Brown!"  (He had been arrested for domestic abuse and drugs, but he's the Godfather of Soul - he should get a free pass, right?)

It has been more than 20 years, but I still distinctly remember the feeling I had that night, just a tall, skinny 15 year old standing in a crowd and watching Clapton in the center of Jerusalem.  Brief memories shoot through my brain from that night...I remember at the rear of the Pool (visible to the right in the above photo) there were large wooden "walls" so pedestrians and people on the street couldn't easily watch the concert for free, and one of these walls SMASHED to the ground below, scaring the hell outta me.  Some of the girls in our group sat on guys' shoulders to get a better view.  I wouldn't have been strong enough to carry the girl I had a HUGE crush on, but I remember standing next to her for much of the night.  

I saw Clapton again on this tour in Richfield, OH, and he didn't play with the same intensity as he played on this night.  Can you blame him?

I have found a recording of this concert and I offer it for download HERE for your listening pleasure in 256kbps MP3!

"Journey To Jerusalem"

Sultan's Pool, Jerusalem, Israel

July 13, 1989

1. Crossroads

2. White Room

3. I Shot the Sheriff

4. Bell Bottom Blues

5. Lay Down Sally

6. Wonderful Tonight

7. Wanna Make Love to You   

8. After Midnight   

9. Can't Find My Way Home  

10. Forever Man

1. Same Old Blues

2. Tearing Us Apart

3. Cocaine

4. Layla
5. Badge
6. Sunshine of Your Love
7. Interview

Eric Clapton - Guitar, Vocals
Phil Palmer - Guitar
Nathan East - Bass
Steve Ferrone - Drums
Alan Clark - Keyboards
Ray Cooper - Percussion
Katie Kissoon - Backing Vocals
Tessa Niles - Backing Vocals

John Lydon in Israel

A fantastic interview in Israel for his 31 August gig in Tel Aviv.  John puts the pathetic Brit protesters in their place, exposing their blatant hypocrisy and anti-Semitism for what it is.  "Jews are people, too," he points out.  Why can't more artists speak their mind in such an articulate, intelligent way?  Fuck you Elvis Costello, Frank Black, Santana, and all of your ilk.  And what makes the Costello situation funny, is that his wife performed in Israel after he chose not to! 





And here is another one from Tel Aviv.

Public Image Limited at the Heineken Music Festival - Tel Aviv

Unfortunately, I was unable to attend the festival, but I snagged this ad from Yedioth Ahronoth.  More and more international acts are hitting the shores of Israel, even if a few acts use politics to hide their anti-Semitism and refuse to play.

The Stooges in Tel Aviv - 2007

While on vacation in 2007, I picked up this article on the big names who were coming to the Holy Land.  On top of the article it says, "They're coming!!" There are dates on the bottom of the page that wouldn't fit in my scanner, but it says, "Iggy Pop & the Stooges, 7 July...Tel Aviv, 222 NIS" (that was like $55).

Bringing 'The Weirdness' to Tel Aviv
Ben Jacobson, THE JERUSALEM POST Jul. 5, 2007

Nearly four decades after getting their start on the Michigan punk scene, Iggy Pop and his most famous backing band will take the stage in Tel Aviv Saturday night for a much anticipated exercise in weirdness.

Fans, of course, should expect nothing less: The Weirdness is the name of the band's latest album, its first in 34 years and the one it's promoting this summer with shows across Europe and at major festivals including Lollapalooza in the U.S.

After a break of more than three decades, "it's fun coming back and being the original group again," says Stooges guitarist Ron Asheton, who will perform with Pop at Tel Aviv's Ganei Hata'arucha Saturday at 10 p.m.

"The original," he adds, "is always the best."

It's been a long journey since the Stooges and their famous lead singer - birth name: James Osterberg - first signed with Elektra in 1968. The group's eponymous debut, produced by Velvet Underground auteur John Cale, sold poorly, but it endures as an seminal artifact of the punk/thrash genre just as the movement was getting started.

The Stooges quickly made a name for themselves with a wild, occasionally even bloody road show, and perhaps because of their volatility lasted just one more album, with Pop leaving the group and dissolving, at least temporarily, into one of rock's most famous heroin addictions.

The singer resurrected his career a few years later via landmark collaborations with David Bowie, some of which were backed up by the Stooges, but from the mid-Seventies through the millennium, Pop was off experimenting with an array of backing line-ups and musical styles, achieving another career milestone in 1986 with New Wave project Blah Blah Blah, a joint effort with Sex Pistols guitarist Steve Jones.

In 2003, however, Pop reunited with Asheton and the guitarist's brother, Scotty, for recording sessions for the singer's Skull Ring compilation disc. The sessions soon blossomed into a short series of reunion appearances, and eventually into The Weirdness, which was released this March to appreciative reviews.

The album was co-produced by the Stooges and Steve Albini, the legendary guru who's worked with the Pixies, Low and Nirvana. (The band had also considered working with Rick Rubin, a collaborator with Johnny Cash and the Beastie Boys, as well as fellow Michigan native Jack White of the White Stripes.)

The creation of The Weirdness "turned out being just a perfect situation," Asheton says. It was "very comfortable and very unlike our other recording sessions. [W]ith the first record, I never even heard any of the mixes or even the final record until it was an actual album shipped to us, already packaged and everything… [With] this one, we tried a different approach, which brings us into also being producers."

With the exception of some guitar solos added in post-production, The Weirdness was recorded live, with the band limiting itself to just three or so takes per track and just two or three tracks per day. The result is an album that sounds, Asheton says, a lot like what he envisioned in the studio.

"This time around, there were no surprises," he says. "I enjoyed what came out of the first [albums], but this is way different, and I really enjoy recording now. It's more of a whole process."

(The band's new musical approach has earned mixed reviews from Pop, who jokingly told Rolling Stone, "Promoting, touring, running the band business ... It's Ron Asheton's bloody fault!")

The band's Israeli tour stop, its first, will undoubtedly reflect that its leader singer is now 60, far from the 20-something wild man who first became a legend on stage.

Life on the road is a whole lot more staid than it used to be, Asheton claims: nowadays, Pop needs nothing more than the occasional glass of wine to unwind, and rarely leaves his hotel rooms for fear of overzealous fans. There's no drug use going on at all, Asheton says - for anyone. This is a cleaned-up, more responsible Stooges, however excitable they still appear on stage.

Regarding the group's visit to Tel Aviv, Asheton sounds more like a scheduling agent than a punk guitarist. "We were offered it as a job," he says. "It's a new place to go. We've never been there, and we've heard a lot of good things about it."